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MOBO Awards 2026: Little Simz and Olivia Dean Lead Nominations as Ceremony Heads to Manchester!

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Little Simz on stage after accepting the Best Hip Hop Act during the 2024 MOBO Awards ceremony at Utilita Arena Sheffield (Photo by Shirlaine Forrest/Getty Images For MOBO)

The MOBO Awards are officially turning 30, and they’re heading north to celebrate in style. For the first time ever, Europe’s biggest celebration of Black music and culture will take over Manchester’s Co-op Live on Thursday, 26 March 2026.

The nominations are in, and the competition is fierce. Leading the pack with four nods each are North London icon Little Simz, soulful superstar Olivia Dean, and breakthrough artists kwn and Jim Legxacy.


The Big Players

  • Little Simz:
    Nominated for Album of the Year (for the stunning Lotus), Best Female Act, Best Hip Hop Act, and Video of the Year.
  • Olivia Dean:
    Her chart-topping The Art of Loving puts her up for Album of the Year, alongside nods for Best Female, Best R&B/Soul, and Song of the Year.
  • Heavy Hitters:
    Central Cee, FLO, PinkPantheress, and Skepta each secured three nominations, proving the UK scene is stronger than ever.

More Than Just Music

The 2026 awards continue to celebrate the full spectrum of Black culture. In the acting categories, Cynthia Erivo (Wicked) and Ashley Walters (Adolescence) are among those recognised for standout performances. Meanwhile, the Best Media Personality category features viral sensations like DJ AG and Bemi Orojuogun (Bus Aunty).

A Landmark Year in Manchester

MOBO founder Kanya King CBE noted that this year’s nominees reflect a “boundary-pushing creativity that defies genre.” To celebrate the 30th anniversary, the city will also host the MOBO Fringe Festival — a week-long takeover of panels, performances, and workshops across Manchester.

Want to be there?
Tickets are available now at
mobo.com/tickets.

FULL LIST OF 2026 MOBO AWARDS NOMINEES

Best Male Act (In Association With Prostate Cancer UK) Central Cee | Elmiene | Jim Legxacy | Nemzzz | Odeal | Skepta

Best Female Act (In Association With got2b) Flo | Kwn | Little Simz | Olivia Dean | PinkPantheress | Sasha Keable

Album Of The Year (In Association With Amazon Music) Central Cee – Can’t Rush Greatness | Ezra Collective – Dance, No One’s Watching | Flo – Access All Areas | Kojey Radical – Don’t Look Down | Little Simz – Lotus | Olivia Dean – The Art Of Loving

Song Of The Year AJ Tracey Feat. Jorja Smith – ‘Crush’ | Donae’o Feat. Omar, Lemar & House Gospel Choir – ‘Nights Like This’ | Fred Again, Skepta & PlaqueBoyMax – ‘Victory Lap’ | Jim Legxacy & Dave – ‘3x’ | Kwn – ‘Do What I Say’ | Myles Smith – ‘Nice To Meet You’ | Olivia Dean – ‘Man I Need’ | PinkPantheress – ‘Illegal’ | Raye – ‘Where Is My Husband!’ | Tim Duzit – ‘Kat Slater’

Best Newcomer DC3 | EsDeeKid | Finessekid | Jim Legxacy | Kwn | Namesbliss | Nia Smith | Sekou | Skye Newman | YT

Video Of The Year (In Association With Vevo) Pozer – ‘Shanghigh Noon’ (Dir. Bas Haselager) | FKA Twigs – ‘Eusexua’ (Dir. Jordan Hemingway) | Jim Legxacy – ‘Father’ (Dir. Lauzza) | Little Simz – ‘Flood’ (Dir. Salomon Ligthelm) | Raye – ‘Where Is My Husband!’ (Dir. The Reids) | Skepta & Fred Again – ‘Back 2 Back’ (Dir. Domamanic & Skepta)

Best R&B/Soul Act Elmiene | Flo | Kwn | Odeal | Olivia Dean | Sasha Keable

Best Alternative Music Act Alt Blk Era | Blood Orange | Hak Baker | Michael Kiwanuka | Nova Twins | Rachel Chinouriri

Best Grime Act (Supported By Trench) Chip | Jayahadadream | Kasst 8 | Ruff Sqwad | Scorcher | Wiley

Best Hip Hop Act Aitch | Asco | Catch | Central Cee | D-Block Europe | Kojey Radical | Little Simz | Loyle Carner | Wretch 32 | Youngs Teflon

Best Drill Act 36 | Booter Bee | Chy Cartier | EsDeeKid | K-Trap | Leostaytrill | Nemzzz | Pozer | Twin S | Wohdee

Best International Act Ayra Starr | Cardi B | Clipse | Gunna | Kehlani | Leon Thomas | Mariah The Scientist | Moliy | Tyla | Vybz Kartel

Best Media Personality Bemi Orojuogun (Bus Aunty) | DJ AG | In My Opinion | Melissa Holdbrook-Akposoe | Nadia Jae | Niko Omilana | PK Humble | Remi Burgz | Uche Natori | Winners Talking

Best Performance In A TV Show/Film Aaron Pierre (Mufasa: The Lion King) | Ashley Thomas (Hostage) | Ashley Walters (Adolescence) | Cynthia Erivo (Wicked) | Damson Idris (F1) | Dayo Koleosho (Eastenders) | Lennie James (Mr Loverman) | Marianne Jean-Baptiste (Hard Truths) | Stephen Graham (Adolescence) | Wunmi Mosaku (Sinners)

Best African Music Act Adekunle Gold | Ayra Starr | Davido | Joshua Baraka | Moliy | Rema | Shallipopi | Tiwa Savage | Tyla | Wizkid

Best Caribbean Music Act Ayetian | Lila Iké | Masicka | Shenseea | Vybz Kartel | Yung Bredda

Best Jazz Act Cktrl | Ego Ella May | Ezra Collective | Kokoroko | Nubya Garcia | Yazmin Lacey

Best Electronic/Dance Act (Supported By BEMA & Mixmag) FKA Twigs | Jazzy | Kilimanjaro | PinkPantheress | Salute | Sherelle

Best Gospel Act (Supported By Premier Gospel) Annatoria | DC3 | Faith Child | Imrhan | Sondae | Still Shadey

Best Producer Inflo | Jae5 | Miles Clinton James | P2J | Sammy Soso | Zach Nahome

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Appleton Return – Duo Release First New Music Since 2003

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Pop fans, it’s time to celebrate. After a 23-year hiatus as a duo, Nicole and Natalie Appleton are officially back. Their brand-new single, ‘Falling Into You’, drops today, and it’s every bit the sophisticated pop we’ve been craving.

The track feels like a spiritual successor to their 2003 hit ‘Don’t Worry’ — fluid, timeless, and effortlessly cool. To keep the magic authentic, the sisters reunited with Gareth Young (the producer behind their smash ‘Fantasy’) and his songwriting partner Bnann.

“This song just flowed out of us because it’s very much the story of us,” says Nicole.

The Journey Back

While we last saw the sisters touring with All Saints nearly five years ago, the spark for this duo revival came from a surprising source: their kids. Natalie reveals that it was Gene and Ace who suggested the sisters team up again.

The momentum started building in 2023 with the successful reissue of their gold-certified debut album, Everything’s Eventual. Now, with no expectations other than “the love of it,” the Appletons are ready to reclaim their spot in the charts.

Where to See Them

If the single isn’t enough, mark your calendars for these upcoming performances:

  • Feb 19: BBC Radio 2’s Piano Rooms with the BBC Concert Orchestra.
  • May: A high-energy set at the iconic Mighty Hoopla festival.

Expect the hits, the new single, and according to Nicole, a “fun cover or two.”

Stream ‘Falling Into You’ now:
appleton.komi.io

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Eliza Announces Come Back Album ‘The Darkening Green’

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ELIZA (Photo Credit: Phoebe Salmon)

Alt-R&B powerhouse ELIZA is back with a vintage funk-infused reminder to protect your peace as she gears up for the release of her third studio album, The Darkening Green.

ELIZA isn’t just making music; she’s crafting an ecosystem. The North London native has just dropped her latest track, ‘Cheddar’, a soulful, spiky confrontation that serves as the perfect appetizer for her highly anticipated new record, The Darkening Green, arriving on 4 March.

Following the success of ‘Anyone Else’, ‘Cheddar’ finds ELIZA navigating the murky waters of an exploitative relationship. Built on a foundation of urgent bass lines and a classic vintage funk drum beat, the track allows ELIZA’s signature soulful vocals to shine through a lens of “bruised realization.”

With lyrics like, “Cheddar, is that all I am to you… my love was a treasure, always on the house,” she exposes the “true agenda” of those who take more than they give. However, in true ELIZA fashion, the song refuses to sink into negativity. It closes with a resolute, shimmering vow: “You won’t make me bitter, it’s not worth my shimmer.” It’s a powerful anthem for anyone looking to rewild their spirit and protect their energy in a hardening culture.

A Masterclass in Independent R&B

The track boasts an impressive production team, with ELIZA working alongside Finlay ‘Phairo’ Robson and EMIL (the magic behind hits for Loyle Carner, Sampha, and Doja Cat). It’s a testament to the lane she has carved for herself since moving away from the “Eliza Doolittle” persona eight years ago. By ditching the major label system, she has evolved into a “sorcerer of soulful pop” (Notion) and a vital independent voice in the UK scene.

Inside The Darkening Green

Due out this March, The Darkening Green is being touted as ELIZA’s most human work to date. The album explores the idea that our emotional lives mirror the ecological world. From the messiness of love to the heat of connection, the record follows a journey of returning to nature and oneself, away from the noise, ego, and daily grind.

With over 720,000 monthly listeners and a COLORS performance that has racked up over 33 million views, ELIZA is no longer just one to watch — she is a tastemaker leading the charge in the neo-soul and lo-fi space.


Pre-save The Darkening Green HERE.

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David Bowie’s Childhood Home To Be Restored For The Public

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Young David Jones at Plaistow Grove – Credit: David Bowie Estate
Heritage of London Trust has announced the landmark acquisition of the family home of David Robert Jones – the modest south London terrace where the boy became David Bowie. Located at 4 Plaistow Grove in Bromley, the property served as Bowie’s creative sanctuary from ages 8 to 20 (1955–1967). The property marks the site where Bowie’s musical journey began; it was here that he wrote his formative songs and regularly returned in the following years, as he wrote his breakthrough smash hit Space Oddity, which rocketed him to pop fame.

The heritage project, due for completion in late 2027, will restore the “two up, two down” railway workers’ cottage to its original early 1960s appearance. Working alongside curator Geoffrey Marsh (co-curator of the Victoria and Albert Museum’s David Bowie Is exhibition) and utilising a never-before-seen archive, the restoration will recreate the interior layout exactly as it was when Bowie’s father commuted to work at charity Dr Barnardo’s and his mother worked as a waitress. This experience will centre on Bowie’s 9 ft x 10 ft bedroom – the specific site where his “trailblazing spirit” was forged.

The project transcends simple bricks and mortar; it is a living continuation of Bowie’s legacy of “free creative experimentation.” Inspired by his 1969 Beckenham Arts Lab, which offered opportunities “for everybody,” the site will host creative and skills workshops for young people. Through the Trust’s Proud Places and Proud Prospects programmes, the house will act as a “solid foundation for the next generation,” teaching confidence and communication skills in the arts. A major £500,000 grant from the Jones Day Foundation has already been secured, with a public fundraising campaign launching this month.

The house is near the Edwardian “Bowie bandstand” – where the young musician performed in 1969 – which was restored by Bromley Council and Heritage of London Trust in 2024.

Geoffrey Marsh said:
“It was in this small house, particularly in his tiny bedroom, that Bowie evolved from an ordinary suburban schoolboy to the beginnings of an extraordinary international stardom – as he said, ‘I spent so much time in my bedroom. It really was my entire world.’”

Dr Nicola Stacey, Director of Heritage of London Trust, said:
“David Bowie was a proud Londoner. Even though his career took him all over the world, he always remembered where he came from and the community that supported him as he grew up. It’s wonderful to have this opportunity to tell his story and inspire a new generation of young people.”

George Underwood, artist, musician and lifelong friend of David Bowie, said:
“We were dreamers, and look what he became.”

Caitlin Moran, journalist, broadcaster and author, said:
“The most exciting place for any fan to visit is their hero’s teenage bedroom – because that’s the cocoon where they built themselves.”

Greg Harris, President of the Rock & Roll Hall of Fame & Museum, said:
“Once completed, it will provide context for the genesis of Bowie’s creativity and vision and inspire new generations to follow their dreams.”

Chris Kelly, President of the Jones Day Foundation, said:
“The Bowie House project is special because it combines music and heritage in London and will help to preserve the legacy of one of the legends of rock and roll.”


Fundraising for the project will begin in January 2026 and the project is planned to open at the end of 2027.
https://bowieshouse.org/

Geoffrey Marsh, George Underwood and Nicola Stacey outside 4 Plaistow Grove
Geoffrey Marsh, George Underwood and Nicola Stacey outside 4 Plaistow Grove.

Exterior close-up of 4 Plaistow Grove
Close-up of the exterior of 4 Plaistow Grove.

Young David Jones at Plaistow Grove
Young David Jones at Plaistow Grove – Credit: David Bowie Estate.
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Bruno Mars Announces New Album ‘The Romantic’ And World Stadium Tour

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Bruno Mars (Photo Credit: John V.Esparza)

Global superstar Bruno Mars today announced his long-awaited return to the spotlight with the news of his fourth solo album, The Romantic, arriving everywhere on February 27, 2026. In support of the new project, Mars will embark on The Romantic Tour, marking his first full headline outing in nearly a decade and his first-ever global stadium tour.

Produced by Live Nation, the 2026 tour will span nearly 40 shows across North America, Europe, and the UK. The journey kicks off on Friday, April 10 at Allegiant Stadium in Las Vegas and will feature back-to-back nights at iconic venues including Wembley Stadium, Stade de France, and SoFi Stadium.


A DECADE IN THE MAKING: ‘THE ROMANTIC’

Marking ten years since his last solo studio effort, The Romantic follows a period of unprecedented chart dominance. Fans can get their first taste of the new era tomorrow, Friday, January 9, with the release of the album’s lead single.

The announcement comes as Mars continues to shatter industry records. In January 2025, he became the first artist in Spotify history to surpass 150 million monthly listeners. He also remains a titan of the RIAA, holding seven Diamond-certified singles, with “Just the Way You Are” currently standing as the highest-certified song in history at 21x Platinum.

His recent collaborations have set a new bar for global success:

  • “Die With A Smile” (with Lady Gaga): The fastest song in Spotify history to reach 1 billion streams; 18 weeks at #1 on the Billboard Global 200.

  • “APT.” (with ROSÉ): Apple Music’s most globally streamed song of 2025 and a three-time 68th Annual GRAMMY® nominee, including Record and Song of the Year.


THE ROMANTIC TOUR 2026

Joining Mars across all dates is nine-time GRAMMY® winner and Silk Sonic collaborator Anderson .Paak as DJ Pee .Wee. The tour will also feature special guests Victoria Monét, RAYE, and Leon Thomas in select markets.

TICKETS: To participate in the Artist Presale on Wednesday, January 14 at 12 pm local time, fans must sign up at BrunoMars.com by Monday, January 12 at 10 am PT. General onsale begins Thursday, January 15 at 12 pm local time.

TOUR DATES:

Date City Venue Support
Apr 10 Las Vegas, NV Allegiant Stadium .Paak / Thomas
Apr 14 Glendale, AZ State Farm Stadium .Paak / Thomas
Apr 22 Houston, TX NRG Stadium .Paak / Thomas
May 16 Chicago, IL Soldier Field .Paak / Thomas
May 23-24 Toronto, ON Rogers Stadium .Paak / Thomas
Jun 20-21 Paris, FR Stade de France .Paak / Monét
Jul 4-5 Amsterdam, NL Johan Cruijff ArenA .Paak / Monét
Jul 18-19 London, UK Wembley Stadium .Paak / Monét
Aug 21-22 East Rutherford, NJ MetLife Stadium .Paak / RAYE
Sep 19 Miami, FL Hard Rock Stadium .Paak / RAYE
Oct 2-3 Inglewood, CA SoFi Stadium .Paak / RAYE
Oct 14 Vancouver, BC BC Place .Paak / RAYE

(Full list of 40 dates available at BrunoMars.com)

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Yungblud Reworks ‘Zombie’ with The Smashing Pumpkins

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Photo Credit: Tom Pallant

Yungblud has teamed up with rock legends The Smashing Pumpkins for a powerful, re-imagined version of his breakout track “Zombie”, marking the first time the band have ever featured on another artist’s recording.

Originally released to huge acclaim, “Zombie” is Yungblud’s fastest-streaming solo single to date, with over 100 million streams, and this new version takes things even further. Produced by Matt Schwartz and Billy Corgan, the track brings heavier guitars, more urgency and that unmistakable Smashing Pumpkins edge.

The collaboration came full circle after Yungblud and Billy Corgan finally met in Birmingham last year at Black Sabbath’s farewell show. Corgan had been aware of Yungblud for years, praising his raw talent and predicting a long future ahead, making this collaboration feel long overdue.

An official music video, directed by Charlie Sarsfield and starring Yungblud and The Smashing Pumpkins, lands alongside the release, kicking off a huge year for Yungblud. The track arrives ahead of his sold-out UK arena tour, which launches on 11 April, and follows a landmark year that saw him dominate charts, tour the world and earn multiple Grammy nominations.

Speaking on the track, Yungblud called the collaboration “hard to comprehend”, citing Siamese Dream as a life-changing album and describing “Zombie” as the most personal song on Idols. Billy Corgan added that it was “great fun” lending The Smashing Pumpkins’ voice to a track inspired by their legacy.

With no signs of slowing down, Yungblud continues to bridge generations of rock, and this re-imagined “Zombie” might just be one of his boldest moments yet.

“Zombie” by Yungblud and The Smashing Pumpkins is out now.

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Kula Shaker share video for ‘Lucky Number’

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A reborn Kula Shaker power into one of the biggest years in their storied history as they unveil their brand new single‘Lucky Number’. The song provides the final taste ahead of the January 30th release of their eagerly anticipated‘Wormslayer’, as well as a hectic year of live activity which starts with their imminent record store tour and continues into a full run of UK and European headline shows.

‘Lucky Number’ makes for a commanding opener on ‘Wormslayer’, its swirling psych-rock stomp played with the confidence and intensity of a band who remain an exhilarating live experience. Its potion is infused with Kula Shaker’s inimitable ingredients: riffs as heavyweight as they are hallucinatory; driving glam-rock-tinged rhythms; Technicolor Hammond organ flourishes from Jay Darlington and, of course, enigmatic lyricism from the spiritually restless and always charismatic Crispian Mills. The song made a big first impression when it was debuted live on the Chris Evans Breakfast Show on Virgin Radio.
Crispian Mills says, “There are two types of people in this world: those who read car number plates, and those who don’t. ‘Lucky Number’ is for all the beautiful car number plate readers. You don’t have to be ‘on the spectrum’ to appreciate nature’s miraculous patterns and certain numbers following you around. We’re not going crazy. The universe is speaking to us. God speed.”
 
The accompanying video for ‘Lucky Number’ features electrifying live footage from last year’s Inner Circle Shows, which saw the band play some of their most intimate shows ever. It included a set at Liverpool’s world famous Cavern Club, where they were honoured with a brick in the Cavern Wall of Fame
 
Together with the recent singles ‘Be Merciful’, ‘Good Money’, ‘Charge of the Light Brigade’ and ‘Broke as Folk’, ‘Lucky Number’ provides further evidence that ‘Wormslayer’ is set to be Kula Shaker’s most vital album since their hit-packed debut album ‘K’ made them chart-topping, double-Platinum sensations. Their eclectic nature demonstrates that ‘Wormslayer’ is an album which never stays in one lane, detouring beyond its electrifying psychedelic heartbeat and into gothic crooning, pastoral folk and expansive mantra-metal.
‘Wormslayer’ album is available to pre-order / pre-save HERE.
Kula Shaker will celebrate the release of the album by embarking upon the ‘Wormslayer’ Busking Sessions, an acoustic and signing record store tour from January 23rd. All shows on their subsequent UK and European headline tour will be illuminated by the mind-bending vision of The Mad Alchemist Liquid Light Show – remaining tickets are available HERE. A taste of their live experience can be seen with their recent KEXP performance, which features the classics ‘Tattva’ and ‘Govinda’, the recent single ‘Good Money’ and the as-yet-unreleased ‘Day For Night’.
JANUARY – IN-STORE TOUR
23rd – London, Banquet
24th – Brighton, Resident
26th – Southampton, Vinilo
27th – Oxford, Truck
28th – Bury, Wax & Beans
29th – Edinburgh, Assai
30th – Liverpool, Jacaranda
 
FEBRUARY
7th – Brighton, Concorde 2 (SOLD OUT)
8th – Cambridge, Junction (SOLD OUT)
9th – Holmfirth, Picturedrome (SOLD OUT)
11th – Glasgow, Old Fruitmarket
12th – Manchester, O2 Ritz
13th – London, Islington Assembly Hall (SOLD OUT)
22nd – Nijmegen, Doornroosje
23rd – Den Haag, Paard van Troje (LOW TICKETS)
25th – Cologne, Bürgerhaus Stollwerck
26th – Paris, Cafe Dé La Danse (LOW TICKETS)
28th – Hamburg, Gruenspan
MARCH
2nd – Berlin, Heimathafen Neukölln
3rd – Munich, Technikum
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The Molotovs shut down street with Christmas guerilla gig in support of the Big Issue

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Issey, Paul, Terry and Matt (Photo by Liam Heaton)

The Molotovs and the Big Issue put on a spectacular show for hundreds of shoppers in London today in support of the charity’s ‘Stop, Talk and Support’ Christmas campaign.

The band, siblings Matt and Issey Cartlidge, 17 and 19, played songs from forthcoming debut album Wasted On Youth as they encouraged passersby in Soho to meet Big Issue vendors Paul and Terry, who can often be found near Oxford Circus and St Paul’s Cathedral.

The set included a singalong of Slade’s ‘Merry Xmas Everybody’ and and the setting was Berwick Street, a UK rock landmark famous for its depiction on the record sleeve for Oasis’s (What’s The Story) Morning Glory?.

The band have been championed by the likes of Sex Pistols and Green Day, and dancing and pogoing broke out as crowds of onlookers celebrated the music on the final weekend before Christmas.

The Big Issue addresses poverty by enabling homeless and vulnerable people to earn money selling its weekly magazine. Its Christmas campaign highlights the decline in casual social interaction, with fewer people stopping for a chat with vendors. The campaign was launched with the single-shot video ‘Issues We Face’ in which vendors in nearby Oxford Street shared their personal and relatable stories.

Matt said: “One of the tragedies of the struggles facing society today is that so many people get left behind. The Big Issue does an amazing job at helping people but it’s down to the rest of us to make sure vendors, just like everyone else, are true parts of the community. It takes so little time to stop and have a chat with someone but too often we all just walk past with our eyes fixed on our phone or the street ahead. We all need, more often, to ‘stop, talk and support’.”

Vendor Paul said: “It makes all the difference in the world when people stop and chat. Some people do and some people don’t. It reminds people you’re human when you can have a conversation, rather than making you feel invisible.”

Issey said: “There is so much division being created in society today but we can choose to respond humanely, treating people as people, with understanding and empathy. Our lives can be fragile and all our circumstances can change in an instant. Everyone selling the Big Issue has a story to tell and deserves our support.”

Russell Blackman, Managing Director of Big Issue, said: “We’re super grateful to The Molotovs for drumming up support for our vendors on their most important weekend of the year for sales. There’s nothing like a guerilla gig to get people to stop, start a conversation and take time out of their busy shopping schedules to engage with the vendors in the vicinity. Please support your local Big Issue vendor this winter as they brave the elements to sell and earn a hugely important income.”

 

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Spotify Wrapped reminds us even our leisure time is being surveilled and sold

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Photo credit: Pexels-Karola G

By John Singleton, University of Galway

Each year as Spotify Wrapped drops, social media timelines fill with neon slides declaring who we “really” are. We trade our top artists and most-played songs like postcards from a year already fading.

It feels communal, a party game to end the year of listening. But this cheerful ritual shows how deeply surveillance has woven itself into our leisure – and, how readily we accept it. It’s what the social psychologist and philosopher Shoshana Zuboff describes in her book The Age of Surveillance Capitalism the “claiming of human experience as free raw material” for predictive data.

Wrapped does more than reflect our taste. It turns private listening into public connection, and connection into content. What looks like play can instead be seen as work. And what feels like recognition of our uniqueness is a reflection of how well we have conformed to the algorithm.

 

At first glance, it’s simple. You listen, Spotify counts. Then it wraps those counts in bright colours and confident language, diagnosing who you are, or who the platform imagines you to be.

Wrapped acts as an identity machine: statistics made into self-portrait. You appear as the “indie purist” or “pop maximalist”. But behind the graphics lies the attention economy, turning every pause into data. What looks like a mirror is really a map drawn to lead you back to using Spotify. That map is built from collecting data on your skipping habits, workout playlists and time-of-day listening.

Leisure once stood apart from labour. Datafication – turning everyday behaviour into trackable, monetisable data – is an answer to an old problem: how to profit from free time. Through this perspective, nearly every facet of life now includes some form of labour.

With apps like Spotify, every engagement creates the highly valuable byproduct of data. Every skip or replay generates data that can be traded and sold. Every share is free advertising. Even when we think we’re unwinding, we’re producing value for someone else.

The sociologist David Beer, who researches the role of data in social and cultural life, wrote that his Wrapped “in some ways … feels like a performance review of [his] leisure time”.

Being told you’re in the top 1% of listeners of a certain artist feels like recognition, but that pleasure masks a loss of agency. Beer felt his Wrapped was humouring him and rewarding him for being a “good listener”, which seems like a byword for “worker”.

By telling him how long and “well” he had listened, by informing him he had “found ways to grow”, he felt like it was boosting his sense of self in order to keep him coming back.

It is an effective platform strategy. Wrapped spikes app downloads and engagement each December, with Spotify crediting it as a major driver of growth.

Narrowing your tastes

Another thing to be wary of is how Wrapped and Spotify’s algorithm could be shaping your taste. Research suggests recommendation loops tend to reinforce existing habits rather than expand them, producing what scholars call “taste tautology”.

These recommendations – new albums like the ones you love, artists spotlighted who are like your favourites – are presented on the interface so readily or built into the design. For instance, the feature where tracks chosen by the algorithm start playing immediately when the song or album you put on ends. Or “curated” playlists like Discover Weekly – described as “your shortcut to hidden gems, deep cuts, and future faves”.

But the more we click on these curated options and the more data we feed the app about our listening habits the more we teach the algorithm to serve more of the same rather than surprise us.

Engagement becomes affirmation of who we seemingly are as predictions reshape preferences, and the preferences it serves us harden into identity. Research suggests that rather than expanding your taste by introducing you to new tracks and artists, this type of algorithmic recommendation can actually narrow your taste.

What kind of individuality can exist in a system that decides what we see and rewards compliance? This subtle erosion of choice isn’t accidental. Wrapped struggles to capture eclectic or erratic listening, flattening diversity into generic categories that distort more than they reveal.

Posting your Wrapped is a small cultural performance, part taste, part humour, part self-awareness. Friends reply with theirs; brands join in. The ritual doubles as free global marketing. Each share delivers a flicker of pleasure that keeps the attention economy turning, our emotions becoming raw material.

A better use of Wrapped is to treat it as a prompt, not a verdict or refelection. Close the app, follow a friend’s suggestion, watch a band live. Keep some of your taste uncounted. Not because numbers are evil, but because taste is more than what can be measured and you deserve to find something you love off the beaten track.The Conversation

John Singleton, Lecturer in Journalism & Global Media Studies, University of Galway

This article is republished from The Conversation under a Creative Commons license. Read the original article.

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First Full Performance from December 10 – Britain’s new global boyband

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Photo credit: Gracey&Co

Newly signed to EMI/Universal, British boyband December 10 step forward today with the release of a live acoustic performance of NSYNC’s “Bye Bye Bye”, recorded at London’s iconic Metropolis Studios. It marks the first complete piece of performance footage from the band outside the glimpses seen in Netflix’s global series Simon Cowell: The Next Act.

The hugely fun, utterly joyful, incredibly charismatic, often rambunctious and completely endearing septet consists of Cruz(19), Danny (17), Hendrick (19), John (17), Josh (17), Nicolas (16) and Sean (19).

Formed on camera during Netflix’s docuseries Simon Cowell: The Next Act, (produced by Box to Box Films and Syco Entertainment, and released worldwide on 10th December 2025), December 10 were selected from over a thousand hopefuls across six episodes that followed every stage of music mogul’s search for a new boyband: open auditions, vocal sessions, choreography drills, early recording days and the final line-up decision. Cowell enlisted a stellar team of industry heavyweights – including vocal coach and producer Robert “RAab” Stevenson (Justin Timberlake, Rihanna); songwriter Kamille (Little Mix, Dua Lipa, RAYE); and songwriter-producers Poo Bear (Justin Bieber, Usher, Ed Sheeran), Julian Bunetta (One Direction, Teddy Swims, Sabrina Carpenter) and Savan Kotecha (Ariana Grande, The Weeknd) – whose expertise, coaching and guidance both strengthened the performers’ skills, while offering a clear measure of who was ready to move forward.

It paid off; as well as playing 14 instruments between them, the septet’s multiple-part harmonies, diffuse influences and eclectic personalities create a band that is genuinely unique. While they’ve ostensibly been put together by Cowell (who launched the careers of bands from Five and Westlife through to Fifth Harmony, Little Mix and One Direction), it’s clear that December 10 was meant to be.

“I’m not sure if this band found me or if it was the other way around however either way I am so happy the boys have a chance to do what they love. 7 genuine, talented, humble boys who walked in to meet me. I believe in them and I really like them. I wish them all true happiness doing something they love”Simon Cowell

“It’s a huge joy and privilege working once again with Simon. We go way back and it’s fair to say that the landscape has changed in many ways since then. What hasn’t changed is the thrill when a unique act with undeniable chemistry comes along. The guys have great voices , incredible energy and are an absolute pleasure to work with and I’m positive that their talent, charisma and star quality will win them masses of fans.”Louis Bloom – President, Island EMI Label Group

It’s unsurprising to discover that all the boys have previous music experience. Cruz played young Michael Jackson in the West End’s Motown: The Musical; Danny, who gravitated to music while struggling at school, appeared on The Voice Kids in 2023; and Nicolas represented Portugal at Junior Eurovision. Walsall’s Hendrick has been writing and performing his own music – solo and in bands – since his mid-teens; Josh built an impressive following on Instagram performing covers and original songs; Sean was in a choir and sang Soprano for the Irish National Opera in Dublin; and John, a former chorister at Rochester Cathedral, turned down a role in Paddington: The Musical to join December 10.

They’re not only ambitious but accomplished vocalists, writers and musicians: Cruz leads percussion; Nicolas and Danny play guitar; Josh plays guitar and drums; Hendrick plays guitar, bass and piano; Sean plays guitar, piano and harmonica; while John was due to take Grade 8 Clarinet and Piano this year – until life got a bit busy.

December 10 is very much a boyband for our times: a truly inclusive group representing Chorley, Rochester, Dublin, London, Lisbon and Walsall, with Irish, Brazilian, Indian, Nigerian and Jamaican heritage between them. Their musical influences are just as expansive – from Fela Kuti, Daft Punk, Brent Faiyaz and Steve Lacy to Pearl Jam, Freddie Mercury, The Notorious B.I.G., Catfish and the Bottlemen, Sabrina Carpenter, Usher alongside Brazilian icons like Legião Urbana and Cazuza.

There’s a high level of lovability coursing throughout the band; they’re funny, chaotic, and very, very excited:

“We want to make amazing music and hopefully give people something they’ve been waiting for – something for 2026 that’s bringing something a bit different. We want to show people that the British boyband is back… with a bang!” December 10

DECEMBER 10 FULL LIVE PERFORMANCE OF NSYNC’S “BYE BYE BYE” IS AVAILABLE TO WATCH/ SHARE NOW:

http://december10.lnk.to/ktpHV0

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